Goodness gracious! |
I belive that upon discovering their magic, all mages find at least one spell that inspires them. A spell that drives them in their studies so that they might master it. A spell that speaks to their soul. Perhaps a green mage might fall in love with the idea of summoning a great beast. A black mage might have twisted thoughts of animating the dead. And a red mage—maybe all red mages?—probably dreams of fire and destruction.
While I cannot speak with certainty for others, I know that that was the case for me. Admittedly red magic was not my first love (that would be the huge beasts of green), but the thought of unleashing a firestorm upon my foes appealed to me all the same. It is as direct a display of power as I can imagine: how better could I show my newfound magical prowess to the multiverse? I have long since learned that the subtler effects of the other magics are often more effective, but there is always something alluring about brute force.
But the power of fire magic is only part of the appeal, I think. The allure of fire, both magical and mundane, has captured the imagination of humanity since humanity’s beginning. It is no surprise, then, that fire has likely been harnessed by spell more often and more commonly than any other aspect of the world. By its ubiquity, it is likely that a mage’s first magical discovery affects fire in some way. In my advanced age, I cannot say for sure whether fire spells were among the first that I learned, but I would not bet against it.
Even after I settled into a preference for green and white magic in my earliest days of sorcery, I still found myself dabbling in red magic for the power of fire. White magic may be able to negate the threats of combat through enforced peace, but red magic’s fire is a more…permanent end. I have since become more cautious towards the death and destruction of my magic, but sometimes drawing upon the red is unavoidable. And sometimes, it is merely more convenient or efficient.
The Long, Long History of the Fireball
While using magic to affect fire is as old as magic itself, long lost to the ages. The act of forming it into a ball and hurling it at a foe, however, can surprisingly be traced back to its originator.
And lo, Leonard Patt's "Rules for Middle Earth" begat Chainmail, which begat OD&D, which begat AD&D, which begat AD&D 2nd Edition, which...uh...inspired the (Gamma) playtest, which begat Alpha. |
But if the history of Fireball does not begin with Garfield, neither does it begin with Gygax and Arneson. The dungeoneering duo built upon the previous research of Gygax and another wizard, Perren, in their chainmail-clad mastery of war. While their work was somewhat obscure (at least, until the popularity of Gygax’s and Arneson’s later work brought it to light), Gygax’s and Perren’s work were noted by scholars. For ages, it was believed that Gygax and Perren invented the spell.
However, in recent years it has come to light that Gygax and Perren learned from Patt, an ancient and obscure alchemist and erstwhile mage. In his military rules of engagement in the domains of the Rings of Power, Patt created the spell as a magical equivalent of a catapult-stone. As his work was shared with only a few others, it was largely forgotten in light of Gygax and Perren’s version of Fireball.
Playing with Fire
What to do with infinite mana? What...to...do? |
Fireball for lethal...the angels are just backup! |
It's the opening hand that dreams are made of. |
Danatoth of Alsoor (Dan Hyland)
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